An Innovative Design: ISD undertakes massive project for NBA TV

This is part two of a three part series on the new NBA TV studio. Part one can be viewed here.

Creating a new home for NBA TV was a massive undertaking by Innovative Show Design (ISD), bringing together design, technology and skilled people.

NBA TV wanted a technologically advanced studio, and ISD was able to deliver.

Design Process

Working 100 percent in-house, ISD was able to take the project from studio dimensions to a detailed 3D model.

“For this particular project, we imported the studio dimensions into Vectorworks and modeled the half court,” said Justin Garrone, artistic director for ISD. “Once we had that true scale and the limitations of the space, we imported the court into Cinema 4D where all scenic and lighting concepts were designed.”

NBA TV provided a detailed list of requirements, which would allow them to use the studio for multiple daily shows with unique settings.

“We included as many of these items that we felt worked best not only for the design but also for budget,” said Garrone.

Working in Cinema 4D, ISD rendered all aspects of the studio for the proposal. These renders were then turned back into engineering drawings for precious construction.

“Upon approval of design the Cinema 4D scene files were re-imported into Vectorworks, where all scenic engineering was formulated and shop drawings were produced,” said Garrone.

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A True View

A unique aspect of Innovative Show Design’s presentation is true to life camera positioning.

“A part of our presentation consists of us using Cinema 4D to display exact camera angles and composition, utilizing true camera placement as well as depth of field, so that our clients have an accurate visual representation of how our design functions,” said Nate Mitchell, scenic designer and graphic supervisor at ISD.

Lighting design was handled the same way, giving the NBA TV a true view of the project.

“We have created a lighting inventory inside Cinema 4D that utilizes the real world photometrics,” said Garrone. “This allows us to light our renderings as we would light the set and talent in real life. This way when we present our design, the client has a true understanding of what everything looks like.”

By the Numbers

Building a large scenic environment is no easy task, requiring skilled craftsmen, designers and technicians. Here’s how the numbers broke down for ISD:

  • 248 sheets of Wilson Art laminate
  • 280 pounds of contact cement
  • 5,000 board feet of lumber
  • 629 sheets of plywood
  • 138 pounds of screws, nails and staples
  • just under 2,000 square feet of back lit graphics
  • 36 sheets of acrylic
  • 1 5′ x 150′ roll of polycarbonate
  • 125 hours on the CNC machine to make parts
  • 4,600 hours in the shop to build, wrap and load on trucks
  • 520 hours on site for the install (not including Turner labor)
  • Crew size of 12 plus one lead

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Building the set

After winning the proposal, ISD had seven weeks to construct, dry fit, laminate and ship all scenic elements from Lakeland, FL to Atlanta, GA.

“At our scene shop run by Graydon Swedberg, we were able to completely assemble and dry fit all pieces and parts. Once this phase of the build was complete, Coordinating Director of NBA TV, Brent Berkman came to FL to have a look at the set to see the true scale and make any adjustments before final surface laminate was applied,” said Christopher Runnells, president and owner of ISD.

“After looking at renderings for months, to see the framing of the entire set in the warehouse was almost overwhelming. It looked big and I knew ISD had grasped our vision,” said Brent Berkman, coordinating director of NBA TV.

Set Installation

The first part of the installation was the floor.

Partnering with Horner Flooring, a longtime NBA partner, it took 10 days to install, stain, pain and finish. Then the floor took a week to cure and harden.

“Due to the size of the set and the limitations on space we had to assemble the set in 2 halves. The first set of trucks that arrived in ATL contained the demo side of the studio, this is the side of the studio that has the half court. This took 5 days to get the majority of the structure up. Once all walls were up we had Spalding come in and deliver and install the regulation NBA goal,” said Garrone. “Following the assembly of the demo side, trucks arrived with the main anchor desk as well as the studio side of the set. This side of the set took 7 days to erect.”

In total, the installation took 17 days, with the final five reserved for integrating technology and video systems.

In just seven short weeks, Innovative Show Design was able to realize NBA TV’s vision of a new studio, capturing the motion and energy of the game. The design was able to bring in color, technology and a real NBA court.

With over 5,120 hours spent on over 5,000 square feet of space, the NBA TV studio represents one of the top sports sets on television.

Watch for the final part of the three part series later this year.

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