Savannah Guthrie to Omarosa: ‘I should let you know I’m recording this conversation’
Telemundo’s Premier League coverage moves to new HQ in Miami
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How the networks are covering the Omarosa tapes
Baltimore CBS debuts new set with ‘glass box green room’
Top Tracks: Music picks for heartfelt, sincere promos
PrimeTime launches new LED studio light for broadcast studios
Telemundo mixes history, culture and technology in World Cup studios
wTVision creates casual virtual set for Bolivian ‘Sportivisimo’
‘World News Tonight’ gets another video wall update
Making virtual a reality in broadcast
LiveU delivers 15,000 hours of World Cup coverage
Roundup: Broadcast design and production at 2018’s World Cup
Industry Insights: Augmented reality adoption by broadcasters
Q&A: The status of live streaming and where it’s headed for broadcasters
ZDF’s ‘WISO’ updates set and graphics with cohesive angular look
Industry Insights: Implementing augmented reality and its pain points
‘Nightly’ boldly goes where other networks don’t with ‘Space Force’ coverage
Q&A: Jack Morton reimagines ‘Face the Nation’ with flexible space
Someone just give this producer an Emmy for ‘best use of boxes’
Networks rely on B-roll, photos, sketches and ‘Ken Burns’ effects for Manafort trial coverage
’25 Words or Less’ keeps it simple for test run
ABC announces name for third hour of ‘GMA,’ hosted by Haines and Strahan
‘Vice News Tonight’ streamlines look, switches beat
‘Nightly’ experiments with debriefs, vista wall shots and skipping ‘Rundown’
