‘Chris Jansing Reports’ debuts from Studio 3A with blend of standard, Uvalde graphics
‘Ellen’ gets elegant blue, gold look for final shows, recreates how it all began
Hearst’s WYFF News 4 in Greenville debuts new set
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Networks take different approaches in Uvalde shooting coverage
Column: 6 reasons to consider using virtual production
Zero Density launches online learning platform
Grass Valley brings Unreal Engine to GV AMPP ecosystem
Co-writer of ‘Move Closer to Your World’ theme dies
Charlotte’s Queen City News music caps off rebrand with bespoke theme
WETA brand refresh reimagines ribbon element, logotype
Mobile TV Group deploys first container-based Cloud Control unit for Bally Ohio
MLB Network gives Studio 3 a big update for opening day
Industry Insights: Studio robotics and camera control, part two
Industry Insights: Studio robotics and camera control, part one
Sony product updates focused on imaging, IP, cloud and visualization workflows
Quicklink introduces Cre8 video production tool
Grass Valley announces end-to-end NDI integration for AMPP
Matrox Video focuses on remote operations, workflows with latest products
SmallHD releases lightweight, bright 5-inch monitor
Vitec Group rebranding as Videndum
Case Study: How Bill Holshevnikoff lit Telemundo Sacramento
Litepanels launches 2×1 Gemini panel light with 23,000 lux of output
SmallRig expands video lights lineup with RC 220
Top reasons an integrator should build your broadcast facility furniture
Column: The status of SDI to IP transitions and the benefits of maintaining hybrid environments… for now
Column: Automating the path from SDI to IP for broadcasters
Jimmy Kimmel returns to studio with monotone, moody look
Emmys builds a ‘bubble’ inside the Staples Center
ABC shakes things up with different Emmys look for a very different show
Latest U.S. ‘Millionaire’ set uses darkness, lighting, flowing shapes to recreate iconic look
Grammys, Oscars logo design have interesting similarities
‘Jimmy Kimmel’ recreates Brooklyn street for NYC shows
