2022 NAB Show attendance drops over pre-pandemic numbers
AccuWeather debuts weather presentation tool, Weathershow Creator
Grass Valley announces end-to-end NDI integration for AMPP
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CBS 4 Indianapolis debuts new set with layers of LED, scenery
Fox Los Angeles updates set
Relaunching Al Jazeera’s storytelling from a director’s point of view
‘Symone’ blends elegant logotype with bold, brutalist graphics
NBC previews ‘Meet the Press Now,’ ‘Chris Jansing Reports’ looks
Weather Channel leverages streaming channel name, look on climate focused show
Column: 6 reasons to consider using virtual production
Zero Density launches online learning platform
Grass Valley brings Unreal Engine to GV AMPP ecosystem
WETA brand refresh reimagines ribbon element, logotype
Al Jazeera rebrand gives new attention to music in presentation
San Diego image campaign blends bold typography with local imagery, custom song
Mobile TV Group deploys first container-based Cloud Control unit for Bally Ohio
MLB Network gives Studio 3 a big update for opening day
Sony product updates focused on imaging, IP, cloud and visualization workflows
NAB Show 2022: Planar and OptiTrack highlighting latest in LED, tracking and virtual production
Shotoku unveils pan and tilt head aimed at mid-sized payloads
Quicklink introduces Cre8 video production tool
Matrox Video focuses on remote operations, workflows with latest products
Shotoku launches latest version of camera management system
SmallRig expands video lights lineup with RC 220
Sumolight introduces Sumomax, high-output LED light
Case Study: Sportsnet’s future-forward studio features ARRI fixtures for versatility, dependability
Top reasons an integrator should build your broadcast facility furniture
Column: The status of SDI to IP transitions and the benefits of maintaining hybrid environments… for now
Column: Automating the path from SDI to IP for broadcasters
‘The Daily Show’ returns to full studio with an updated look
‘Daily Show’ moving back to old studio, bringing back audience
‘The Daily Show’ is taking a hiatus, will return with ‘brand new look and feel’
Netflix’s ‘The Break’ uses dramatic lighting, angles in set design
Comedy Central continues ‘fake news’ growth with Ed Helms special
‘The Daily Show’ goes ‘undesked’ for Chicago shows
‘The Opposition’ uses simple design to pack layers of meaning, mystery
Red, white and blue: 10 graphics packages that use this classic color palette
NewscastStudio announces the 2016 Set of the Year award winners
‘Daily Show’ trashes set for ‘apocalyptic’ future edition
